Plauso assoluto ai solisti: i soprani Mariana Flores e Miriam Allan, il controtenore Leandro Marziotte, i tenori Nicholas Scott e Mathias Vidal e i bassi Salvo Vitale e Andreas Wolf.

Il cast solistico è di primo livello. Mariana Flores e Miriam Allan si dividono le parti sopranili: la prima, soprano uruguaiana di formazione europea, ha una lunga collaborazione con García-Alarcón ed è tra le voci più riconoscibili del repertorio barocco internazionale…

The opening was nothing short of miraculous, as Mariana Flores—performing the triple roles of La Musica, Proserpina, and Euridice—appeared like a vision in a halo of golden light. Her portrayal of La Musica possessed a mythic storytelling power, as if she were summoning the narrative from an ocean of ancient memories. Later, her Proserpina was imbued with a persuasive, regal power of the Underworld. Finally, as Euridice, she was utterly enchanting; her duets with Orpheus possessed a heart-wrenching sincerity. Her long monologue before their second, painful parting—underpinned by the orchestra and Alarcón’s magical harpsichord accompaniment—was hauntingly beautiful, a performance that lingered in the mind long after.

Valerio Contaldo, de voz broncínea, pero, por desgracia, «demasiado impaciente» para evitar la desaparición definitiva de la radiante Musica/Eurídice de la apasionada soprano argentina Mariana Flores, de timbre solar.