{"id":2878,"date":"2026-02-05T18:11:19","date_gmt":"2026-02-05T18:11:19","guid":{"rendered":"https:\/\/www.marianaflores.com\/?p=2878"},"modified":"2026-02-05T18:11:21","modified_gmt":"2026-02-05T18:11:21","slug":"olyrix-alfonsina-a-la-chapelle-de-la-trinite-de-lyon-une-ode-aux-femmes-argentines","status":"publish","type":"post","link":"https:\/\/www.marianaflores.com\/en\/olyrix-alfonsina-a-la-chapelle-de-la-trinite-de-lyon-une-ode-aux-femmes-argentines\/","title":{"rendered":"Olyrix: Alfonsina \u00e0 la Chapelle de la Trinit\u00e9 de Lyon, une ode aux femmes argentines"},"content":{"rendered":"

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La Chapelle de la Trinit\u00e9 accueille un concert de Mariana Flores, accompagn\u00e9e du guitariste Quito Gato et du contrebassiste Romain Lecuyer, tous trois musiciens de la Cappella Mediterranea.<\/p>\n\n\n\n

Le programme musical est une d\u00e9claration d\u2019amour aux femmes argentines \u00e0 travers un floril\u00e8ge de chansons de compositeurs particuli\u00e8rement connus pour leurs chansons tout au long du XXe si\u00e8cle, monuments de la culture musicale argentine.<\/p>\n\n\n\n

Le titre du concert est un hommage \u00e0 Alfonsina y el mar<\/em><\/a>, le programme de salle est \u00e0 titre indicatif, la spontan\u00e9it\u00e9 attendue pour un tel concert de musique traditionnelle argentine permettant \u00e0 la soprano Mariana Flores<\/a> de cr\u00e9er son propre chemin de concert, notamment en contrepoint de la fra\u00eecheur de la Chapelle.<\/p>\n\n\n\n

Plus d’information<\/a><\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

L\u2019amplification des trois artistes en pr\u00e9sence peut questionner, la voix de Mariana Flores n\u2019en ayant pas fonci\u00e8rement besoin. L\u2019homog\u00e9n\u00e9it\u00e9 du son de l\u2019ensemble semble plus difficile \u00e0 obtenir, les instruments ne se m\u00ealant que difficilement avec la voix. La sonorisation aide n\u00e9anmoins \u00e0 avoir une clart\u00e9 de la prononciation quand la chanteuse est dos au public, la sc\u00e8ne s\u00e9parant l\u2019audience en deux blocs se faisant face.<\/p>","protected":false},"author":1,"featured_media":1909,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-2878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts\/2878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/comments?post=2878"}],"version-history":[{"count":1,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts\/2878\/revisions"}],"predecessor-version":[{"id":2879,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts\/2878\/revisions\/2879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/media\/1909"}],"wp:attachment":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/media?parent=2878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/categories?post=2878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/tags?post=2878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}