{"id":2780,"date":"2025-10-04T08:01:40","date_gmt":"2025-10-04T08:01:40","guid":{"rendered":"https:\/\/www.marianaflores.com\/?p=2780"},"modified":"2025-10-04T08:01:40","modified_gmt":"2025-10-04T08:01:40","slug":"opera-wire-bayreuth-baroque-festival-2025-review-pompeo-magno","status":"publish","type":"post","link":"https:\/\/www.marianaflores.com\/en\/opera-wire-bayreuth-baroque-festival-2025-review-pompeo-magno\/","title":{"rendered":"Opera Wire: Bayreuth Baroque Festival 2025 Review, Pompeo Magno"},"content":{"rendered":"<p><\/p>\n\n\n\n<p>In 1637, the San Cassiano theatre opened its doors for the first time with a performance of Francesco Minelli\u2019s \u201cL\u2019Andromeda,\u201d an event that took opera out of the palazzi and drawing rooms of the aristocracy and into the public arena. Within a matter of only a few years, the city was awash with opera houses. Composers and librettists, singers, artist and machinery designers flocked to the city as the art form boomed. Initially, the plots were taken from classical mythology but very quickly morphed into historical narratives with several unrelated plot levels that included characters from all social classes, dispensed with Aristotle\u2019s unities and mixed the serious with the comedic, set against a background of spectacular stage effects, which was described in the program as a \u2018fairground baker\u2019s hodgepodge.\u2019<\/p>\n\n\n\n<p><a href=\"https:\/\/operawire.com\/bayreuth-baroque-festival-2025-review-pompeo-magno\/\">Plus d&rsquo;information<\/a><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Soprano Mariana Flores produced a passionate, emotionally compelling and expressively strong interpretation as Mitridate\u2019s wife and Pompeo\u2019s prisoner, Issicratea, presenting her as courageous, haughty and at times even domineering with a noble bearing. <\/p>","protected":false},"author":1,"featured_media":2664,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-2780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts\/2780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/comments?post=2780"}],"version-history":[{"count":1,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts\/2780\/revisions"}],"predecessor-version":[{"id":2781,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/posts\/2780\/revisions\/2781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/media\/2664"}],"wp:attachment":[{"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/media?parent=2780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/categories?post=2780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marianaflores.com\/en\/wp-json\/wp\/v2\/tags?post=2780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}